6/25/2023 0 Comments Puerto rico shape collageThe title for the show is “Absence Revealed.” It’s about revealing that absence and that loss of someone so dear to me.Afghanistan, Algeria, American Samoa, Angola, Anguilla, Argentina, Armenia, Azerbaijan Republic, Benin, Bhutan, Botswana, British Virgin Islands, Burkina Faso, Burundi, Cameroon, Cape Verde Islands, Central African Republic, Chad, Comoros, Cook Islands, Côte d'Ivoire (Ivory Coast), Democratic Republic of the Congo, Djibouti, Equatorial Guinea, Eritrea, Ethiopia, Falkland Islands (Islas Malvinas), Fiji, French Polynesia, Gabon Republic, Gambia, Georgia, Ghana, Greenland, Guam, Guinea, Guinea-Bissau, Guyana, Haiti, India, Iraq, Kazakhstan, Kenya, Kiribati, Kyrgyzstan, Laos, Lebanon, Lesotho, Liberia, Libya, Madagascar, Malawi, Mali, Marshall Islands, Mauritania, Mauritius, Mayotte, Micronesia, Mongolia, Morocco, Mozambique, Namibia, Nauru, Nepal, Netherlands Antilles, New Caledonia, Niger, Nigeria, Niue, Palau, Papua New Guinea, Puerto Rico, Republic of the Congo, Russian Federation, Rwanda, Saint Helena, Saint Pierre and Miquelon, Saint Vincent and the Grenadines, Senegal, Serbia, Seychelles, Sierra Leone, Solomon Islands, Somalia, Suriname, Swaziland, Tajikistan, Tanzania, Togo, Tonga, Tunisia, Turkey, Turkmenistan, Tuvalu, Uganda, Ukraine, Uzbekistan, Vanuatu, Venezuela, Virgin Islands (U.S. It’s not about revealing the dress completely. If you think about it, very much like archaeology, you start moving the ground and suddenly the optics start coming out. It became a subtraction technique of sorts, of removing and allowing something to come up. I took very light sandpaper and started sanding it, and the pattern of the dress started to show. I glued them in and then decided to glue one of the original wallpapers right on top of the dress. The way that the work was made was by layering a piece of fabric that she took out of Cuba in the 1960s, and her bedsheets from Cuba, which are in pristine condition. The work is a collage of linen, bedding and even some of her personal materials. I found original wallpaper in my home that was covered in flowers. We weren’t expecting for her to pass away. MMC: In December of 2020, I lost my mother suddenly. MW: How does collage appear in your latest work at The Bass Museum? Photography by Maria Martínez-Cañas, courtesy of private collection. Maria Martínez-Cañas, Absence Revealed 003, 2021. If you really look at a photo, if you study a photograph, you’re able to know so much about the people in the image and about the things inside the photograph. I see photography, in many ways, as the ability to tell a story. Suddenly this photo tells me a story of who I am. So I never saw an image of him until much later, maybe not even until I was in my 20s. MMC: I always heard my entire life that I looked like my paternal grandfather, but he passed away when my father was only 15 years old. MW: Your work regularly uses archives to make something new and modern with someting old. MMC: And what’s even more amazing is that he actually said yes! Artist María Martínez-Cañas in her “A Room for Eden (To Ana)” installation at the Frost Museum of Art in Miami. And it just happened that me and this other young girl, we were 17 years old, just walked into a photo gallery and told the guy that we wanted to have a show there. Thousands of new, high-quality pictures added every day. Because I opened my first exhibition in Puerto Rico the night before taking them. Find Puerto rico shape stock images in HD and millions of other royalty-free stock photos, illustrations and vectors in the Shutterstock collection. MMC: When I knew? The night before taking the SATs. When did you know that would be your career? MW: You had a fascination for your mom's camera from a young age. And to us kids, even though we weren’t able to grow up in Cuba, we’re still able to feel extremely Cuban. Every time there was a Cuban that left Cuba, you would get a phone call that said, “I was able to take your wedding pictures out,” or, “I was able to take these pictures out.” I did not realize it then, but I realize now the importance that photography had for them as a way to introduce our heritage and our roots. could introduce family members or even show us who our family was. Being Cuban exiles-I was only three months old when my parents left Cuba-for my parents, photography was very important. There were musicians, visual artists I think that was a really strong influence in my life. My parents were art collectors, and in Puerto Rico, there was an extraordinary energy of artists Latin American, Puerto Rican, Cuban. MMC: I never imagined that I would end up becoming an artist. MW: You were born in Cuba and grew up in Puerto Rico-how did your childhood and upbringing influence you as an artist? Photography by Maria Martínez-Cañas, courtesy of the artist and Fredric Snitzer Gallery. Maria Martínez-Cañas, Absence Revealed 004, 2021. Maria Martínez-Cañas: Yes, my studio is in my home, so I’m also in my home in the area of Miami called Little Havana. Molly Wilcox: Are you in your studio right now?
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